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Idea

The Mechanical Philosophy

机械论自然观

The programme that extended mechanics, once the science of man-made machines, to the whole of nature.

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The seventeenth-century programme that explained all natural phenomena by the size, shape and motion of particles of matter, discarded Aristotle's substantial forms and final causes, and liked to compare the world to a clock.

Date
17th century
Place
France and England
Civilisation
Western
Fields
Natural Philosophy & Method

they seem to imagine the World to be after the nature of a Puppet ... whereas, according to us, 'tis like a rare Clock, such as may be that at Strasbourg, where all things are so skilfully contriv'd, that the Engine being once set a Moving, all things proceed according to the Artificers first design.

—— Robert Boyle, A Free Enquiry into the Vulgarly Receiv'd Notion of Nature (London, 1686), pp. 11–12
Descartes’s vortex cosmos from the Principia philosophiae (Amsterdam, 1644): space is full of matter, and its vortices carry the planets around the Sun. Library of Congress copy.
Descartes’s vortex cosmos from the Principia philosophiae (Amsterdam, 1644): space is full of matter, and its vortices carry the planets around the Sun. Library of Congress copy.Library of Congress, public domain, via Wikimedia Commons source
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History

The mechanical philosophy held that every property and change of bodies comes down to the size, shape, arrangement and motion of particles of matter, and that bodies act on one another only by contact. In The Assayer (1623) Galileo had already confined tastes, smells and colours to the perceiver, leaving bodies only shape, size, place and motion. Descartes gave it its most systematic form: the Discourse on Method (1637) treated animals as automata, and the Principles of Philosophy (1644) identified matter with extension, denied the vacuum and carried the planets round the Sun in vortices. Gassendi revived Epicurean atomism in a form acceptable to Christians, and Hobbes opened Leviathan (1651) by asking what the heart is but a spring, and the nerves but so many strings. Boyle introduced the label "Mechanical Hypothesis or Philosophy" in 1661 and looked for experimental support for corpuscles with the air pump and in the laboratory. The clock was the favourite image. Nicole Oresme had compared the heavens to a clock in the fourteenth century, though only the heavens; seventeenth-century writers applied the image to the whole world and to the God who designed it. The "rare Clock" Boyle invoked in 1686 was the astronomical clock of Strasbourg cathedral, completed in 1574 under the mathematician Conrad Dasypodius. In 1715–16 Leibniz, writing against Newton's spokesman Samuel Clarke, mocked a God who "wants to wind up his watch from time to time".

Why it matters

"Mechanical" first referred to man-made devices. The pseudo-Aristotelian Mechanical Problems described mechanics as the art that wins where nature resists, letting a small force move a great weight, and kept art and nature apart. Descartes erased the line: all the rules of mechanics belong to physics, he wrote, and a clock telling the hours by its wheels is no less natural than a tree bearing fruit. Mechanism, the metaphysical claim that nature is nothing but matter in motion, should still be kept apart from mechanics, a mathematical science of force and motion. In the seventeenth century the two reinforced each other; Newton's gravity pulled them apart. Gravity worked but could not be reduced to pushes and collisions; Leibniz called it an occult quality. Roger Cotes replied in the 1713 Principia that either gravity is a primary quality of all bodies or extension, mobility and impenetrability are not; Newton's General Scholium excluded mechanical hypotheses, with all others, from experimental philosophy.

Connections

Causes3

Consequences1

Sources

Open questionspartly uncertain